Sight&Sound-Umfrage 2022: Die Top100 der besten Filme aller Zeiten + Eure Top10

[vangus]

Alle 10 Jahre machen Sight&Sound ihre berühmte Umfrage für die Ermittlung der besten Filme aller Zeiten. Dabei werden Kritiker und Regisseure der Welt gefragt, was ihrer Ansicht nach die 10 besten Filme aller Zeiten sind. 

All diese Stimmzettel mit 10 Filmen werden dann ganz einfach zusammengezählt. Jede Nennung eines Films gibt dem Film einen Punkt.

Heraus kommt eine Top100, die schon seit Jahrzehnten als Leitfaden für alle Filminteressierte dient, um Filme als Kunstform zu erforschen und näher kennenzulernen.

Genau jetzt ist es wieder so weit. 10 Jahre sind rum und die Ergebnisse der Umfrage 2022 sind da.

Hier die Top 100 der Regisseure:

(Wegen gleicher Punktzahl sind viele Platzierungen identisch)(Leider alles nur in englisch)

 

Throne of Blood

=93

A master of period-drama, Akira Kurosawa recasts Macbeth as a Japanese warlord in one of the greatest Shakespearean adaptations.

1957 Japan

Directed by Akira Kurosawa

Yi Yi

=93

Urban anomie and multi-generational growing pains are given rich, relaxed expression in Edward Yang’s heartfelt Taipei family tapestry.

1999 Taiwan, Japan

Directed by Edward Yang

Pickpocket

=93

Robert Bresson’s hugely influential study of a petty thief in late 1950s Paris is one of his most widely acclaimed films.

1959 France

Directed by Robert Bresson

Battleship Potemkin

=93

Sergei Eisenstein’s renowned agit-drama of proto-revolutionary mutiny and repression, often quoted but still powerful in its montage effects.

1925 USSR

Directed by Sergei M. Eisenstein

Wanda

=93

Barbara Loden’s tough, unsentimental portrait of a woman adrift in the industrial heartlands of the north-eastern United States.

1970 USA

Directed by Barbara Loden

Taste of Cherry

=93

 

1997 Iran

Directed by Abbas Kiarostami

Parasite

=93

Like Get Out, Bong Joon Ho’s endlessly twisty, blackly sincere class-war thriller is a pop provocation for our unequal times.

2019 Republic of Korea

Directed by Bong Joon-ho

Hidden

=93

 

2004 France, Austria, Germany, Italy

Directed by Michael Haneke

The Conformist

=93

Bernardo Bertolucci’s stylish period thriller stars Jean-Louis Trintignant as a repressed bureaucrat in Mussolini’s Italy who is assigned to kill his former professor.

1970 Italy, France, Federal Republic of Germany

Directed by Bernardo Bertolucci

The Colour of Pomegranates

=93

The film that Martin Scorsese compared to ‘opening a door and walking into another dimension, where time has stopped and beauty has been unleashed’.

1968 USSR

Directed by Sergei Paradjanov

Moonlight

=93

Instantly heralded as a modern masterpiece, Barry Jenkins’ stunning three-part story of queer identity is both a technical and an emotional marvel.

2016 USA

Directed by Barry Jenkins

Eternal Sunshine of the Spotless Mind

=93

 

2004 USA

Directed by Michel Gondry

The Ascent

=72

 

1976 USSR

Directed by Larissa Shepitko

The Red Shoes

=72

The feverish Technicolor and astonishing ballet sequences for which this film is so renowned are as spellbinding as they are disturbing.

1948 United Kingdom

Directed by Michael Powell, Emeric Pressburger

Wild Strawberries

=72

On a road trip to receive an honorary degree, an elderly academic (Victor Sjöstrom) looks back over his life in Ingmar Bergman’s art-cinema classic.

1957 Sweden

Directed by Ingmar Bergman

Shoah

=72

To make sense of the 20th century’s most horrific atrocity, Claude Lanzmann reinvented documentary itself, giving the form colossal new significance.

1985 France

Directed by Claude Lanzmann

The Spirit of the Beehive

=72

Victor Erice’s exquisite impressionistic distillation of childhood fear and wonder in the ruins of the recently ended Spanish Civil War.

1973 Spain

Directed by Víctor Erice

Blue Velvet

=72

David Lynch’s adult fairytale follows teen sleuth Kyle MacLachlan’s murder inquiry into the surreal, perverse corners of small-town America.

1986 USA

Directed by David Lynch

News from Home

=72

Chantal Akerman’s epistolary film, shot in the grime of 70s New York, bridges the distance from Brussels through dictated letters from her mother.

1976 France, Belgium

Directed by Chantal Akerman

Modern Times

=72

Industrial modernity proves mercilessly madcap in Charlie Chaplin’s final (mostly) silent feature, one of the most inspired and ingenious of all his comedies.

1936 USA

Directed by Charles Chaplin

Sans Soleil

=72

Chris Marker’s speculative travelogue-essay, reflecting on culture and history in narrated letters from Guinea to Japan to Iceland.

1982 France

Directed by Chris Marker

A Brighter Summer Day

=72

Young love and teen delinquency in Taiwan’s early 1960s adolescence, in Edward Yang’s slow-burn, bittersweet epic.

1991 Taiwan

Directed by Edward Yang

Touki Bouki

=72

A restless young couple dream of escaping Senegal for Paris in Djibril Diop Mambéty ’s stylish, poetic, irreverent expression of post-colonial fantasies.

1973 Senegal

Directed by Djibril Diop Mambéty

The Searchers

=72

This poll’s last western standing, John Ford’s sweeping, stirring rescue-or-revenge quest remains a film of magnificent mystery and poetry.

1956 USA

Directed by John Ford

Where is the Friend's House?

=72

 

1987 Iran

Directed by Abbas Kiarostami

Kes

=72

The tough, touching story of a northern schoolboy and the kestrel that brings hope to his hardscrabble life remains the most widely admired of Ken Loach’s films.

1969 United Kingdom

Directed by Ken Loach

A Separation

=72

 

2011 Iran

Directed by Asghar Farhadi

Salò, or the 120 Days of Sodom

=72

Pier Paolo Pasolini’s controversial adaptation of the Marquis de Sade’s novel, relocated to Benito Mussolini’s fascist republic.

1975 Italy, France

Directed by Pier Paolo Pasolini

The Conversation

=72

 

1974 USA

Directed by Francis Ford Coppola

L'Argent

=72

Robert Bresson’s last film turns a Tolstoy novella about a forged banknote into a formidably focused meditation on the supposed root of all evil.

1983 France, Switzerland

Directed by Robert Bresson

Ikiru

=72

This study of a terminally ill civil servant seeking meaning in his life is one of Japanese director Akira Kurosawa’s finest achievements.

1952 Japan

Directed by Akira Kurosawa

The Seventh Seal

=72

During the plague-ravaged middle ages, a knight buys time for himself by playing chess with Death in Bergman’s much-imitated arthouse classic.

1957 Sweden

Directed by Ingmar Bergman

Chinatown

=72

Roman Polanski’s brilliant thriller stars Jack Nicholson as a private eye uncovering corruption in 1930s Los Angeles, a desert town where water equals power.

1974 USA

Directed by Roman Polanski

Jaws

=62

Steven Spielberg laid the template for the modern summer blockbuster with this expert thriller about the hunt for a man-eating great white shark.

1975 USA

Directed by Steven Spielberg

Some Like It Hot

=62

Billy Wilder’s supreme gender-bending comedy has Jack Lemmon and Tony Curtis as female-posing musicians on the lam, and many knickers in a twist.

1959 USA

Directed by Billy Wilder

Lawrence of Arabia

=62

An eccentric English officer inspires the Arabs to unite against the Turks during WWI in David Lean’s seven Oscar-winner, an epic in every sense.

1962 United Kingdom

Directed by David Lean

Blade Runner

=62

Iconic neo-noir in a befouled sci-fi Los Angeles where humans and their machine replicas vie to be predators rather than prey.

1982 USA, Hong Kong

Directed by Ridley Scott

Tropical Malady

=62

A work that defies straightforward understanding and suggests understandability may be overrated.

2004 France, Thailand, Germany, Italy, Switzerland

Directed by Apichatpong Weerasethakul

Sátántangó

=62

As timely as ever in its grim poeticisation of demagogues and doom, helplessness and hope. If music be the food of death, play on.

1994 Hungary, Germany, Switzerland

Directed by Béla Tarr

La ciénaga

=62

 

2001 Argentina, USA, Japan, France, Switzerland, Spain, Brazil

Directed by Lucrecia Martel

Sunset Blvd.

=62

Tinseltown’s greatest self-satire, a gothic requiem for big-screen bygones and the highs of screen stardom.

1950 USA

Directed by Billy Wilder

Meshes of the Afternoon

=62

Had Californian sunlight ever looked as suggestive or sinister before the sharply etched dreamworld of Meshes of the Afternoon?

1943 USA

Directed by Maya Deren, Alexander Hackenschmied

Late Spring

=62

The first of Yasujirō Ozu’s great cycle of dramas that place the joys and sadnesses of family life in the context of a Japan disrupted by modernity.

1949 Japan

Directed by Yasujirō Ozu

Eraserhead

=53

 

1976 USA

Directed by David Lynch

Fanny and Alexander

=53

The grand summation of Ingmar Bergman’s career, this epic family drama drew on the director’s own childhood experiences in early 20th century Sweden.

1982 Sweden, France, Federal Republic of Germany

Directed by Ingmar Bergman

Cléo from 5 to 7

=53

In real time, Cléo becomes more real, more subject than object. She discards her whipped-cream wig and polka dots for a simple black shift. She performs less and feels more.

1962 France, Italy

Directed by Agnès Varda

Viridiana

=53

In Luis Buñuel’s controversial masterpiece, a novice nun gets more than she bargains for when she turns her dead uncle’s estate into a home for beggars.

1961 Spain, Mexico

Directed by Luis Buñuel

Fear Eats the Soul

=53

Rainer Werner Fassbinder’s heart-on-sleeve melodrama of a doomed romance across racial and age divides probes social hypocrisy with feeling.

1974 Federal Republic of Germany

Directed by Rainer Werner Fassbinder

The Piano

=53

This virtuoso drama of a mute woman’s and her daughter’s silent defiance of patriarchy in 19th-century New Zealand still has searing emotional heft.

1992 Australia, France

Directed by Jane Campion

La notte

=53

Michelangelo Antonioni's masterpiece stars Marcello Mastroianni and Jeanne Moreau as a couple re-examining their emotional bonds.

1961 Italy, France

Directed by Michelangelo Antonioni

Singin' in the Rain

=53

Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.

1951 USA

Directed by Gene Kelly, Stanley Donen

La Maman et la Putain

=53

 

1973 France

Directed by Jean Eustache

Don't Look Now

=46

Set in off-season Venice, British director Nicolas Roeg’s tragedy combines an acute study of grief with a supernaturally charged thriller plot, to beautiful and devastating effect.

1973 United Kingdom, Italy

Directed by Nicolas Roeg

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

=46

Peter Sellers plays three separate roles in Stanley Kubrick’s mordant Cold War comedy in which insanity and political manoeuvrings lead to nuclear meltdown.

1963 United Kingdom, USA

Directed by Stanley Kubrick

Psycho

=46

Alfred Hitchcock’s unsparing wrong-motel shocker starring Janet Leigh is a watershed for mainstream horror and still seminal in its suspense games.

1960 USA

Directed by Alfred Hitchcock

L'Atalante

=46

Jean Vigo’s headily poetic portrait of young newlyweds on – and off – Michel Simon’s barge on the Seine.

1934 France

Directed by Jean Vigo

City Lights

=46

A purely beautiful outing from the Tramp, this delightful urban romance features one of cinema’s most heartbreaking smiles.

1931 USA

Directed by Charles Chaplin

Once upon a Time in the West

=46

Sergio Leone’s operatic widescreen elegy to the old American West, with the forces of corporate capitalism coming down the railroad.

1968 Italy, USA

Directed by Sergio Leone

Le Mépris

=46

Disillusion in love and cinema in Jean-Luc Godard’s most opulent and emotive production, with lovers and film legends at loggerheads in Capri.

1963 France, Italy

Directed by Jean-Luc Godard

Come and See

=41

 

1985 USSR

Directed by Elem Klimov

Vagabond

=41

 

1985 France, United Kingdom

Directed by Agnès Varda

A Man Escaped

=41

This prison-break study is Robert Bresson at his most starkly essential: a man, four walls, his ingenuity and the mysterious inflections of fate.

1956 France

Directed by Robert Bresson

The Night of the Hunter

=41

Actor Charles Laughton’s only film as director, starring Robert Mitchum as an implacable child-hunting preacher, still leaves an indelible mark.

1955 USA

Directed by Charles Laughton

Playtime

=41

Jacques Tati’s most painstaking accomplishment blends deft slapstick, endless visual ingenuity and sonic comedy in a stupendous modern satire.

1967 France

Directed by Jacques Tati

L'avventura

=38

Michelangelo Antonioni’s high-modernist breakthrough sends Monica Vitti in search less of her disappeared friend than her own self, via images to get lost in.

1960 Italy, France

Directed by Michelangelo Antonioni

La Règle du jeu

=38

Huge-spirited and sharp-eyed, Jean Renoir’s French-society fresco gathers high classes and low for a weekend of country-house fallout.

1939 France

Directed by Jean Renoir

La strada

=38

A brutish travelling strongman (Anthony Quinn) acquires a waif-like young assistant (Giulietta Masina) before taking to the road in Federico Fellini’s acclaimed neo-realist fable.

1954 Italy

Directed by Federico Fellini

Au hasard Balthazar

37

Robert Bresson gave us a typically stark vision of humanity as experienced by a put-upon, maltreated beast of burden that passes from owner to owner.

1966 France, Sweden

Directed by Robert Bresson

La dolce vita

=34

Federico Fellini’s ode to Rome presents a lush, vibrant exterior to the swinging city, before revealing its rotting moral core.

1960 Italy, France

Directed by Federico Fellini

La Jetée

=34

The rare short film in this list, Marker’s dazzling photo montage ruminates on memory from beyond the apocalypse.

1962 France

Directed by Chris Marker

The 400 Blows

=34

François Truffaut’s free-wheeling debut, with Jean-Pierre Léaud as his rebel-schoolboy surrogate, is still a banner film for nouvelle vague lyric realism.

1959 France

Directed by François Truffaut

Sunrise: A Song of Two Humans

33

The first American film by one of German expressionism’s leading exponents, this lush, atmospheric silent drama is replete with groundbreaking cinematography.

1927 USA

Directed by F.W. Murnau

Man with a Movie Camera

=30

Bottomless invention and frenetic, dizzying montage make this city symphony one of cinema’s sharpest, most exciting experiences nearly a century after its release.

1929 USSR

Directed by Dziga Vertov

The Passion of Joan of Arc

=30

Carl Theodor Dreyer’s rapturous silent masterpiece, with soulful close-ups of Renée Jeanne “Maria” Falconetti’s tremulous martyr, transcending tyranny and temporality.

1927 France

Directed by Carl Th. Dreyer

Ordet

=30

An austere parable on the power of faith, Carl Theodor Dreyer’s penultimate film culminates in a transcendent resurrection scene.

1955 Denmark

Directed by Carl Th. Dreyer

Do the Right Thing

29

Racial tensions reach boiling point in Spike Lee’s incandescent portrait of a Brooklyn neighbourhood on the hottest day of the year.

1989 USA

Directed by Spike Lee

GoodFellas

28

The dizzying story of wiseguy Henry Hill, from his seduction into a life of crime to his paranoid, cocaine-fuelled departure.

1990 USA

Directed by Martin Scorsese

The Godfather Part II

=26

The expansive second part of Francis Ford Coppola’s Mafia saga continues the Corleone family story, charting in parallel young Vito’s earlier rise to prominence.

1974 USA

Directed by Francis Ford Coppola

Andrei Rublev

=26

Andrei Tarkovsky’s epic portrait of a medieval artist may be the most wrenching depiction of belief, creativity and the search for meaning ever filmed.

1966 USSR

Directed by Andrei Tarkovsky

Raging Bull

=22

Starring Robert De Niro as the middleweight boxer Jake La Motta, Scorsese’s biopic is widely acknowledged as one of the greatest films of the 1980s.

1980 USA

Directed by Martin Scorsese

Pather Panchali

=22

All the mischief, discoveries, joys and tragedies of life are given endlessly lyrical expression in Satyajit Ray’s debut, the first entry in ‘The Apu Trilogy’.

1955 India

Directed by Satyajit Ray

Mulholland Dr.

=22

Hollywood is dark and dangerous, yet alluring, in David Lynch’s acclaimed thriller.

2001 France, USA

Directed by David Lynch

The Battle of Algiers

=22

A window on Algeria’s wider liberation war, recreating a violent phase of guerrilla struggle and suppression in powerful free-documentary style.

1966 Italy, Algeria

Directed by Gillo Pontecorvo

Bicycle Thieves

=20

The film that topped our inaugural poll in 1952, Vittorio De Sica’s indelible neorealist parable offers a sharp-eyed portrait of Italy ’s post-war privations.

1948 Italy

Directed by Vittorio De Sica

Rashomon

=20

The film that brought Japanese cinema to the world, this 88-minute firecracker proved a seminal assault on the notion of objectivity.

1950 Japan

Directed by Akira Kurosawa

A Woman under the Influence

19

 

1974 USA

Directed by John Cassavetes

Apocalypse Now

18

Francis Ford Coppola’s Vietnam War blowout, a hell-trip through the smoke and dazzle of imperial America’s most grandstanding rogue show.

1979 USA

Directed by Francis Ford Coppola

Stalker

=14

Two men recruit a guide to take them into ‘the Zone’, a mysterious realm where one’s innermost wishes come true, in this metaphysical sci-fi epic.

1979 USSR

Directed by Andrei Tarkovsky

À bout de souffle

=14

Jean-Luc Godard’s cock-of-the-walk calling card, mixing pulp pastiche and upstart rebellion with Jean-Paul Belmondo’s footloose Parisian delinquent.

1960 France

Directed by Jean-Luc Godard

Seven Samurai

=14

Akira Kurosawa’s monumental, scintillating tale of hired samurai protecting a peasant village: period thriller and moral/political fable in one.

1954 Japan

Directed by Akira Kurosawa

Beau travail

=14

Claire Denis’s great gift is to evoke emotion with gesture and juxtaposition. In the desert, water shimmers and ripples, naked shoulders perspire, black mosquito nets recall sheer lingerie.

1998 France

Directed by Claire Denis

Barry Lyndon

=12

Stanley Kubrick’s meticulously designed epic recounts the picaresque exploits of an 18th-century Irish adventurer.

1975 USA, United Kingdom

Directed by Stanley Kubrick

Taxi Driver

=12

Martin Scorsese and Paul Schrader’s high-art vigilante movie for fallen times, with a coiled Robert De Niro as psycho-saviour of an infernal NYC.

1976 USA

Directed by Martin Scorsese

Close-up

=9

The more ‘information’ we’re offered about the case, the more we come to realise that there are no easy answers to any of the questions being raised.

1989 Iran

Directed by Abbas Kiarostami

In the Mood for Love

=9

Wong Kar Wai’s masterpiece is a heartbreaking story of illicit love that pulses with the ache of repressed desire.

2000 Hong Kong, France

Directed by Wong Kar Wai

Persona

=9

Any sense of a conventional psychodrama is constantly disrupted by the experimental, improvisatory filmmaking.

1966 Sweden

Directed by Ingmar Bergman

Mirror

8

Cinema scaled new heights of visual poetry in this deeply personal, elliptical film by the master of ‘sculpting in time’.

1975 USSR

Directed by Andrei Tarkovsky

8½

=6

Federico Fellini’s portrait of the film director as harried ringmaster and unreliable dreamer, spinning gold from his memories and fantasies.

1963 Italy, France

Directed by Federico Fellini

Vertigo

=6

A former detective with a fear of heights is hired to follow a woman apparently possessed by the past, in Alfred Hitchcock’s timeless thriller about obsession.

1958 USA

Directed by Alfred Hitchcock

Jeanne Dielman 23, quai du Commerce, 1080 Bruxelles

=4

A magnificent epic of experimental cinema offering a feminist perspective on recurrent events of everyday life.

1975 Belgium, France

Directed by Chantal Akerman

Tokyo Story

=4

Told in Yasujirō Ozu’s simple and elegant style, this story of intergenerational discord is heartbreaking and deeply human.

1953 Japan

Directed by Yasujirō Ozu

The Godfather

3

The first of Francis Ford Coppola’s epic trilogy about the Corleone crime family is the disturbing story of a son drawn inexorably into his father’s Mafia affairs.

1972 USA

Directed by Francis Ford Coppola

Citizen Kane

2

Famously sitting at the top of the Sight and Sound poll from 1962 to 2002, Orson Welles’s masterful debut, about newspaper magnate Charles Foster Kane, remains an enduring classic.

1941 USA

Directed by Orson Welles

2001: A Space Odyssey

1

Stanley Kubrick’s grand vision of mankind’s journey from its hominid beginnings to its star-child evolution is a towering achievement of science-fiction cinema.

1968 USA, United Kingdom

Directed by Stanley Kubrick

 

‐-------------------------------------

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Die Ergebnisse der Kritiker findet ihr unter folgendem Link:

https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time

 

 

Und nun seid ihr an der Reihe!

Wenn ihr die 10 wichtigsten Filme wählen müsstet, die ihr als die wertvollsten erachtet, die jeder Mensch einmal sehen sollte, die am besten das Filmmedium repräsentieren, welche Filme fallen euch da ein?

Postet eure eigene Sight&Sound Top 10 in den Kommentaren!

Edited December 4, 2022 by vangus

[Konsolenheini]

Ich mag diese 12 Filme, mich auf 10 festzulegen hab ich leider nicht geschafft 😉

----+

Odyssee 2001,

Fanny und Alexander (die längere Version)

Angst Essen Seele auf,

Taxi Driver,

Sie küsten und sie schlugen ihn,

Apokalypse Now Redux,

Do the right thing,

Moderne Zeiten,

Moonlight,

Kes,

Dr seltsam: Oder wie ich lernte die Bombe zu lieben,

Spiel mir das Lied vom Tod,

Alle haben tiefe, ernst und manche davon haben auch bissige Satire in sich.... Und alle haben Anspruch!

Es sind auf jedenfall filme die einen auch nach dem schauen grübeln lassen und über die man diskutieren kann

 

 

Edited December 4, 2022 by Konsolenheini

[BigB_-_BloXBerg]

Für mich persönlich war parasite sehr sehr gut, aber wirklich so hoch bewerten würden ich ihn nicht. 

[vangus]

Wenn ich eine Top10-Liste für Sight&Sound einreichen müsste, würde ich wie folgt wählen:

 

2001: A Space Odyssey

- Stanley Kubrick -

Amarcord

- Federico Fellini -

Apocalypse Now

- Francis Ford Coppola -

Bicycle Thieves (Fahrraddiebe)

- Vittorio De Sica -

L'avventura (Die mit der Liebe spielen)

- Michelangelo Antonioni -

Man with A Movie Camera (Der Mann mit der Kamera)

- Dziga Vertov -

Rear Window (Das Fenster zum Hof)

- Alfred Hitchcock -

Sunrise: A Song of Two Humans

- Friedrich Wilhelm Murnau -

The General

- Buster Keaton -

The Tree of Life

- Terrence Malick -

 

 

vor 1 Stunde schrieb BigB_-_BloXBerg:

Für mich persönlich war parasite sehr sehr gut, aber wirklich so hoch bewerten würden ich ihn nicht. 

Ist ja keine Bewertung, sondern eine Auswertung.

Wie auch ich mit Tree of Life, wählen einige Regisseure hier extra auch ein zwei Filme des neuen Jahrtausends aus, um auch auf bedeutende neuere Filme aufmerksam zu machen.

Parasite sagt viel aus über die heutige Gesellschaft und ist auch meisterhaft inszeniert. Passt schon. Wie bedeutend ein Film tatsächlich ist, merkt man aber meistens erst rückblickend nach vielen Jahren bzw. Jahrzehnten. Die größten Kunstwerke überdauern die Zeit.

[R123Rob]

Respekt für diese Thread-Bearbeitung. Das muss ja ewig gedauert haben. 

[vangus]

vor einer Stunde schrieb R123Rob:

Respekt für diese Thread-Bearbeitung. Das muss ja ewig gedauert haben. 

Nee, ist copy/paste 😅

[R123Rob]

@vangus @KillzonePro @basslerNNP

 

Die Dekade ist herum, die Filmkritiker haben einen neuen 'Greatest Film of All Time' gewählt

https://www.moviebreak.de/stories/23849/die-dekade-ist-herum-die-filmkritiker-haben-einen-neuen-greatest-film-of-all-time-gewaehlt

 

10. Du sollst mein Glücksstern sein (1952) von Stanley Donen und Gene Kelly

9. Der Mann mit der Kamera (1929) von Dziga Vertov

8. Mulholland Drive - Straße der Finsternis (2001) von David Lynch

7. Der Fremdenlegionär (1998) von Claire Denis

6. 2001: Odyssee im Weltraum (1968) von Stanley Kubrick

5. In The Mood For Love (2004) von Wong Kar-wai

4. Die Reise nach Tokyo (1953) von Yasujirō Ozu

3. Citizen Kane (1941) von Orson Welles

2. Vertigo - Aus dem Reich der Toten (1958) von Alfred Hitchcock

1. Jeanne Dielman (1975) von Chantal Akerman